How to dance flamenco, flamenco travel in Spain, flamenco dance students and their experiences, interviews with flamenco artists, translations of flamenco letras (songs) from Spanish to English
Below watch a bulerías video, Fin de ManiFiesta, from the March 8th International Woman's Day gathering, 8M, in Sevilla, Spain earlier this month.
Here is one of the letras from the video:
Bulerías
Dile no a la violencia
y a la mano que pegó
y di si a la igualdad
y abre tu corazón
Baladilla de los tres puñales
Rafael de León
He comprado tres puñales
para que me des la muerte...
El primero, indiferencia,
sonrisa que va y que viene
y que se adentra en la carne
como una rosa de nieve.
Does the thought of taking a flamenco workshop with a master artist from Spain fill you with excitement or fear?
If you're anything like me you feel a little bit of both.
Here are some steps you can take before, during, and after a workshop to help manage any overwhelm that comes up:
1. Decide what you want to get out of it
Set a workshop goal.
Do you want to master the choreography? Improve upon a specific technique? Get inspired? Become a better learner? Implement the teacher's personal styling? Simply have a fun experience?
We were all blown away by Jesús Carmona and Company's performance here in Portland this week, "I can't stop thinking about it," one student wrote me, "The best performance I attended in my entire life. Heart stopping," another said. You can see pictures from the evening and a video below.
Now, here's a letra from the show:
Flamenco artist Antonia 'La Negra' passed away earlier this week.
Below watch a video of her singing bulerías to her daughter, and here is one of the coletillas you'll hear:
Bulerías
Popular
A nadie quiero
Mientras que viva mi compañero
The Festival de Jerez is in full swing right now, so today I'll share with you a video from there taken earlier this week of Ana Morales with Juan José Amador singing her this letra:
Today, to wrap up love month, a song that falls on the tragic side of love.
Following the words you'll find a collection of videos of live interpretations from Pepe de Lucía to La Macanita.
What does it feel like to have been the first teacher to some of the most famous flamenco dancers from Jerez?
That's a question I asked Ana María López, one of the most influential flamenco instructors in Jerez, Spain, in the video interview you'll see below.
In the interview Ani, as she's affectionately known, talks about how she grew up surrounded by flamenco in the San Miguel neighborhood of Jerez, began studying dance as a little girl, and later grew into one of the most well-known bulerías instructors around. She has been the primary teacher to some of the greatest flamenco dancers working today such as Mercedes Ruíz, Patricia Ibañez, and Carmen Herrera. Naturally, we study bulerías with her during the Flamenco Tour to Jerez. Watch through to the end of the video where you'll see her in the studio demonstrating how to dance bulerías with the cante and feel the joyful essence of Jerez.
Here's LOVE Month Letra # 3 ...
Tientos
Popular
Pasaba toda la noche
sentaita en mi ventana
qué larga se hacía la hora
viendo que tú no llegabas
Flamenco lover, this post is dedicated to you.
Last week I asked some students what they loved about flamenco. (I asked myself too.) Our answers became the list below. Following the list you'll find the video that inspired one reader to begin dancing flamenco along with a downloadable valentine for you.
It's the second week of LOVE letras!
Here's the chorus to Vicente Amigo's Enamorao followed by a video of Alba Heredia when she was little.
Enamorao enamorao
lo que a mi me está pasando…
It's LOVE month ...
Here's a soleá por bulerías letra to start February off right along with a video of Saray García dancing at Casa Patas.
Another soleá (the next letra) and a video of Beatríz Martín.
Soleá
Popular
En todas las partes del mundo
sale el sol cuando es de día
es que a mi me sale de noche
hasta el sol está en contra mía
Do you have a hard time finding the motivation to practice?
I hear you.
. . . And I want to help!
The following ideas will not only spice up your practice but will also make you a better dancer. Apply them to a full choreography, part of a dance, a combination, or even a single step.
1. Do it while singing (or humming) the melody.
OBJECTIVE: Connect the music to the dance. Move your focus away from the steps. Improve your memory. Improve your focus.
2. Do one part over and over.
OBJECTIVE: Solidify and perfect a given part.
3. Do it facing different directions in the room.
OBJECTIVE: Stop relying on the mirror. Focus. Test your knowledge of the dance. Learn to adapt to different situations. Prepare for performance.
This week's letra comes at the request of a reader. She is learning a soleá to this music and wanted to know the words.
Here is the first letra:
Soleá
Popular
Por qué no te levantas tempranito
que al castillito quiero ir
me han dicho que con el alba
se oye el eco de Joaquín el de la Paula
This week's letra made me think of an experience I had years ago which has nothing to do with flamenco. It has to do with dishonesty and fear. It started with a question, which led to a lie, which in turn led to facing a fear. The facing fear part actually helped prepare me for flamenco where I'm forced to confront my fears over and over again. To my surprise, all of the practice meeting my fears in flamenco has only made it easier to do so in life outside of the dance.
More on that in a minute, but first let's take a look at the letra and watch a video of Mercedes Ruíz, our teacher on the Flamenco Tour to Jerez, dancing caña, all in red, with bata and mantón.
Caña
Popular
Subí a la alta montaña
buscando leña pa’ el fuego
como no la encontraba
al valle bajé de nuevo
Have you given any thought to what you want to get out of your flamenco experience this year? If it has to do with making your hands look better, read on, for today I'll tell you about two common mistakes I see with flamenco hand movements and how to fix them. I'll also show you a video of Mercedes Ruíz, our teacher on the Flamenco Tour to Jerez, demonstrating how to move the hands correctly.
Sometimes we get so focused on learning the steps that we neglect details like hand movements. “I’ll get to it later,” we say. We may think we don't have time, that it’s not that important, or find it boring.
The good news is that there is not one right way to move the hands. Like other stylistic elements of flamenco dance, there is plenty of room for individuality in this area. Watch a few video clips of different professional dancers, and you'll see how personal hand and finger movements tend to be. Matilde Coral reminds her students to make their hands look like doves, Mercedes reminds us to open and use every finger.
While there may not be one right way to move the hands, there are wrong ways ...
Here's one more bulerías from Manuel Moneo. Watch him relaxing and laughing with his friends while singing (con mucho arte) below.
Bulerías
Qué malita fue tu madre
A ti te ha cortao todo el pelo
y a mi me ha tirao a la calle
Want to amp up your flamenco progress in 2018?
Here’s a two part formula to get you going:
“The more reflective you are, the more effective you are,” Hall & Simeral
Consider the past year in flamenco, and ask yourself:
And...
Today I wrap up the flamenco cuplé series with a bonus post, one more song, and a few more videos:
Un Compromiso
Alfredo García Segura y Gregorio García Segura
Sin firmar un documento,
ni mediar un previo aviso,
sin hablarnos, ni mirarnos
ha nacío un compromiso.
