Below watch (and be blown away by) Emilio Ochando's award-winning piece Tinevo, which took first place in the XXVº Certamen de Coreografía de Danza Española y Flamenco, where he and three other dancers do their thing with castanets and bata de cola. They dance to this original fandangos by Los Makarines:
Cantan las hojas,
bailan las peras en el peral,
bailan las rosas,
rosas del viento no del rosal,
y nubes y nubes flotaban,
dormían al ras del aire,
todo el espacio giran con ella,
la fuerza del AIRE.
You're going to LOVE the video below of the Makarines performing sevillanas live. The third copla they sing is an excerpt from this sevillanas and it has to do with the Rocío pilgrimage. Here it is:
Sevillanas (De: Porque El Relente Le Daba)
José Miguel Évora/Isidro Muñoz*
Porque el relente le daba
Le puse mi chaquetilla
Le puse mi chaquetilla
Porque tiritaba y yo la veía,
Below you'll find a video of El Sordera singing today's letra and yesterday's coletilla. Enjoy!
Soleá por Bulerías
Dios va a mandarte a ti un castigo muy grande
Y eso es porque tú te lo mereces
¿Ay por qué me vienes culpando?
Y yo culpa no tengo
Que de ti habla la gente
Here's a coletilla along with a video you'll love of Pastora Galván.
Bulerías (soleá por bulerías)
Ay que te quiero
pero de lachi no te lo peno
Tangos flamencos are sensual and playful. Earthy and fun. Grounded and feminine. Tangos is a four-count rhythm and can be one of the most comfortable flamenco rhythms to groove to. Check out this video of La Lupi teaching and rehearsing tangos with the Ballet Nacional de España, and you'll see what I mean. There are a variety of tangos letras of different lengths and subject matter. Here's one for you today followed by video of a very young Estrella Morente signing it.
Cautivaron a una mora
y a España se la trajeron
y en la pila del bautismo
Candelaria le pusieron.
Today in honor of the solar eclipse (which we saw at 99% visibility here in Portland) I give you what is actually a pop song. It's by Lya whose amazing voice you can hear in the video below with Los Makarines.
Qué bonito saber que el sol sueña con la luna,
porque arde en el deseo de que pudiera ser suya.
Y que al viento le da el recado de que le entregue sus besos,
y que habla con la marea para que le cuente sus sueños.
y sueña con el eclipse,
y sueña con besarla, con amarla
y sueña con el eclipse,
y sueña con besarla, con amarla, con decirle que la ama
Por más que tú no me quieras
yo te tengo que querer
Si algún día no te quisiera
que me castigue Undebel
I'm on a tangos kick as I prepare for the upcoming understanding tangos workshops, so here's one more for you today:
Me voy a meter en un convento
que tenga rejas de bronce,
pa' que tú pases fatigas
y de mi cuerpo no goces.
Chorus from Tangos Retrecheros
No sé que tiene el flamenco
que cuando lo canto
me alegra por dentro
You're going to love listening to the tangos in the video below (Trrrrrust me). And the way it's filmed makes you feel like you're right there at the fiesta, so go ahead, play along with palmas. Here's one of the letras you'll hear:
Tú te colocas y en frente de mí,
que por si acaso yo me caigo pa' trás
empújale el columpio más
Here's a tangos letra and a video (that you'll love) of La Lupi dancing to it. Enjoy!
Tangos de la Repompa
En el cristal de mi copa
tu cara se reflejó,
y aquel poco de licor
que yo me llevé a la boca
de veneno me sirvió.
Mientes como hay Dios
The moon is almost full, so I've included a lunar themed letra for you. (Though this one would make more sense on a new moon...) And since yesterday's video analysis was a hit, I decided to do another. Below you'll find a video of Beatríz Morales dancing to today's letra and giving many clear examples of what it looks like to dance to the cante along with my description of where each component of the structure occurs within her dance. Check it out, and find out what the ultimate bulerías goal is.
Esta noche la luna a mí no me acompaña
Me voy solo pa' casa
No espero al alba
La luna se ha enfadado por no llevarla
anoche a la verbena de Santa Ana
No me enfades luna, tú no me enfades.
Bulerías is arguably one of the hardest flamenco forms to dance due to it's improvisational nature, complex rhythm, and nuanced cante. But dancing bulerías is less mysterious than you may think. Once you understand the components of the dance and how they relate to the music (the singing and the compás) you'll be well on your way to obtaining bulerías freedom.
Below l explain the basic bulerías por fiesta structure and how it relates to the cante. After that you'll find a video of Pastora Galván along with an analysis describing where she dances each component of the structure. Finally I give you an activity to help you internalize the information.
The basic structure of bulerías
Bulerías, like other flamenco forms, has its own language. When we dance we are in conversation with the singer, the guitarist, and the palmeros. The structure offers a formula for clear communication, and it looks like this:
Here is a siguiriyas letra and a couple of videos for you:
en un laito de mi corazón
te tengo metido
Thinking about that first trip to Spain in 1998 has reminded me that I need to step it up in the doing things that scare the *#%~&> out of me category. Read on for a lesson around that idea and more of my story from that first trip. Also, find out why it's essential to listen to flamenco music, read a letra about Sevilla, then see a video of Juana la del Revuelo, Aurora Vargas, and Remedios Amaya ...
During my time in Sevilla I saw these women perform. During my time in Sevilla I saw these women perform live. As you'll see from the video below, it was wonderful. Their CDs were among some of the first I purchased once I accepted the fact that I needed to start listening to flamenco music. You see, in the beginning I wasn't very interested in listening to the music, especially cante, unless I was dancing, but Chris convinced me to start listening. He said I needed to do this to understand and internalize the compás.
In 1998 I traveled to Spain to study flamenco. My plan was simple (and not very well thought out): Travel around, settle somewhere in Andalucía, find flamenco classes, find work. I had no contacts in Spain, no leads on where to study or work. I didn’t even know what city I was going to live in.
I just knew that if I wanted to learn flamenco I needed to go to Spain.
Today I'll tell you about finding flamenco in Sevilla, what it taught me about perseverance, and how it can help you.
I didn't plan much before I left for Spain. In part because I wanted to get a feel for the different cities before choosing where to settle. In part because thinking it through felt too overwhelming, and the more I thought about the details, the more I thought about changing my mind and staying put. I spoke Spanish, I had a strong desire to learn, I had saved enough money to hold me over for awhile, I felt ready for an adventure, and I knew I could figure things out once I arrived.
Today you'll find two videos of the same letra, one version as tangos, the other as bulerías...
Dancing flamenco is never just about the dancing. It is a conversation between the dancer and the musicians. As dancers we need to hear where the changes and resolutions are in the music (especially the cante) so that we can respond with our dancing. Below find an activity that you can do from home to train your ear to dance with the cante.
And speaking of cante, we worked with the following letra during the Flamenco Retreat at the Oregon Coast last weekend. (See some pictures below). We looked at where the cante resolved then put in remates with palmas and later baile to reflect that. Watch María Toledo sing it por tangos and Marina García sing it por bulerías below:
Tangos (& Bulerías)
No me pegues bocaítos
Que tú me haces cardenales
Cuando yo voy a mi casa
A mí me los nota mi madre
A couple of weeks ago you saw Rocío Carrasco dancing bulerías. See another video of her today, this time singing the letra below:
Yo me acuerdo noche y día
De mi barrio San Miguel
Y yo canto por bulerías
Por bulerías de mi Jerez
Here's another one I got from Alfonso. It is a bulerías coletilla to go at the end of a guajiras.
(After the letra you'll find a video of Rocío Molina. Just because.)
A Coletilla (Bulerías)
Me llaman el pescaero
Vendo pescaito fresco
que brilla como lucero
Traditional festivals (ferias) take place in towns big and small across southern Spain during the springtime. Locals dress up, dance, sing, eat, and have A LOT of fun. There are the bigger ferias (those of Sevilla, Jerez...) and there are the smaller ferias (those of Sanlúcar, El Puerto...). These exclusive springtime ferias are unique to Andalucía, and each one has its very own encanto (charm). One of the great things about the feria is that there you get to see both professionals and everyday people dancing flamenco; some may not dance very well technically, but they dance from the heart.
Below you'll see a video of Samara and Rocío Carrrasco at this year's Feria del Caballo in Jerez along with pictures from a variety of ferias in Andalucía.