Bulerías doesn’t exist anywhere as it does in Jerez.
It’s just its own thing there
And that's that.
That's why they call it Bulerías de Jerez.
I'm not saying you have to be in Jerez to do bulerías or anything like that.
Not at all.
You can find and do bulerías all over the place.
Nor am I saying you have to be from Jerez to do awesome bulerías.
Not at all.
(Many of you know how Ricardo first got me with his bulerías back in 2006. )
But, anyway, bulerías de Jerez, in Jerez
In Jerez you hear bulerías all over the place.
Manuel Molina passed away on Tuesday. Que descanse en paz.
May he rest in peace.
Here is something to remember him with today. An incredibly beautiful video of Lole y Manuel performing Dime.
I want to tell you about some things that help me to feel better when I'm in a funky place. I also want to show you a very cool video and share a flamenco verse with you. But first, some words I wrote last week
(my first week back home post Flamenco Tour)
Coming home I feel overwhelmed.
This is not new.
It is how I usually feel after a trip to Spain. Excited to be back but overwhelmed and sort of confused at the same time.
I want to tell you about green bananas. Because knowing about green bananas will help you when it's time to dance bulerías. (In Jerez or anywhere really).
And so, a short story from Jerez
Tú vas a comer un plátano verde?
This is what Ani asked Ana.
Ani is Ana María López, the bulerías teacher.
Ana is a student from Russia.
Un plátano verde is a green banana.
You don’t eat a green banana
I am sitting on my bed looking up at the Alhambra. (No, I am not joking.) It is almost 1am, and I am in Granada. I was doing almost this exact same thing at almost this exact same time last night.
In a moment I'll get to this week's letra along with a great raw video of Junco singing and playing guitar for the camera…
David Lagos sang the following letra at our private show here in Jerez the other night.
Naturally, I cried, and I wasn't alone…
On Friday I went to the Peña la Bulería. As you may recall, it is literally steps away from our apartments here in Jerez. I was feeling sleepy and my legs were not looking forward to standing on the hard marble floor after having spent a good deal of time in flamenco shoes and walking on hard streets that day, but once there I was glad I went. As usual.
A young singer named Enrique Remache was performing.
I heard many fantastic letras, like like this one, and jaleos, and took great pleasure in witnessing the reactions of the público.
The reactions
Always one of my favorite aspects of seeing flamenco in Jerez. Men looking at each other and laughing with pleasure upon hearing a particular thing sung a particular way. I won't try to explain this. Just please visit Jerez sometime in your life, and see.
I also love seeing the mix of generations at the peña shows. Teenagers to people in their 70's voluntarily going to hear flamenco.
These words ...
Qué novia más guapa tengo
que me da miedo el mirarla…
Quite awhile ago I published this letra. It was fall not spring when I posted it, and at that time I was preparing to embark on the VERY FIRST FlamencoTour to Jerez. Now as I get ready for the sixth (yes sixth!) tour, I'm re-posting it…
One of my favorite sites of the Andalucían countryside,
The olive trees
Below, a verse from a traditional Spanish song. Tío Gregorio El Borrico recorded it por alegrías...
Al olivo al olivo
al olivo subí
por cortar una ramita
del olivo caí
Keep Reading
Last week we were remembering Paco de Lucía.
Today let's remember Camarón with this video and this song
Today a song that Paco de Lucía composed for his mother from the album of the same name which he dedicated to her, Luzía.
Las cuerdas de mi guitarra
están llorando…
Today on the one-year anniversary of Paco de Lucía's passing, in honor of him, I share with you some words I wrote last year upon learning of his death.
Paco se Fue...that's what the message said
It was 1:06 am.
I was in bed.
1:06 am last night,
And I received a text from Toshi.
“Paco se fue,”
That is what it said.
Oh my God,
Paco de Lucía passed away.
Here’s a letra Sol, our visiting artist right now, loves
Soleá is said to be the backbone of flamenco,
"It touches my soul," she says.
Today in Part Two of the Trust & Flamenco Series I share with you how I use bulerías to strengthen my intuition. It's actually not all that difficult.
Because bulerías invites me to trust.
To trust me.
I don't always accept the invitation, but when I do bulerías becomes my teacher.
It teaches me to listen to and honor that instinct that talks to me. To follow it instead of questioning it. Questioning it gets me into trouble, I tend to question, but following it leads me to good and truth.
Trust is something I’ve been working on for quite some time.
And I’m not talking about trusting others,
Keep Reading
A letra for you this Valentine's Day
Bendita sea la hora
que te comencé a querer…
The gathering together. It lit me up at the first flamenco workshop I attended with a guest artist here in town when flamenco was still so new to me. It lit me up with the first workshop I set up with Ricardo in 2007 and with each one since. It lights me up with every Flamenco Tour to Spain.
The community
The FlamencoTour was born of my own struggles studying flamenco in Spain by myself and at the big festivals. The drive to do it was born of my longing to be there studying in an environment that felt safe and fun to me, amongst a small group of others interested in the same thing. Many of my past learning experiences in Spain did not feel (emotionally) safe, and very often the learning did not feel fun at all.
This was a problem.
My dear friend and mentor, master flamenco teacher Oscar Nieto who is based in Vancouver, B.C., happened to be in Jerez last fall during the Flamenco Tour.*
While he was there Oscar got to meet the students and observe some of our classes and activities. Below read some impressions of the Flamenco Tour that he shared with me during a recent chat:
"If someone wants to go to Spain on their own...
How do they know where to go?
How do they know who to study with?
How do they know what to do?
In your trips it's all figured out for them
In your trips they’re safe in their cocoon.
The students come back, and they’ve had a full Spain experience.
They didn’t just go to a studio and take classes, but you encouraged them to be in the ambiente, to get outside of the studio. And then they build social networks. That is really important. Especially for women who are seeking their dream to finally do flamenco in Spain.
Going to Spain was something she'd always wanted to do.
But life kept getting in the way
And then one day she realized that life wasn't going to let up,
that the perfect moment wasn't going to arrive,
that the time to go to Spain to study flamenco was now.
She realized waiting any longer made no sense.
For seven days I danced as if I were in class with Mercedes Ruíz, in my own way, just as you may have done in your own way. Seven days of class without class. Seven days of "dancing" wherever we were in whatever way we could and in whatever way we wanted to.
And now that the challenge is “over,” I want to look at how it doesn’t really have to be over.
I share below three ways to easily grow as dancers on any given day and in any given place. Whether you participated in the challenge or not, you can benefit from doing these three things. After that I’ll share some gains (expected and unexpected) that I've taken away from the experience.
(... even if you didn't participate in it)
