Last night at Manuel Liñan’s show, I heard this letra and had to write it down.
So I took out my little book and scribbled the first line down.
Ricardo looked at me and laughed.
I'm in the mood for tangos.
Tangos
Popular
Amparo
El enfermo busca el alivio
yo lo busco y no lo hallo
Protection
The sick one looks for relief
I look for it and I don't find it
You can hear La Paquera sing this letra in the video below at 1 minute 59 seconds:
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My biggest issue with bulerías when I got to Jerez was transitions. Well, ok, that’s not really true, my biggest issue after fear. But the transitions.
It was like all of a sudden I couldn’t see them.
And I didn’t know what to do.
I've since learned how to approach difficult transitions more gracefully. (I'll tell you how in just a moment.) I'll also explain to you in detail the transition that almost gave me a nervous breakdown along with some things you might like to know about "counting" bulerías de Jerez.
But first, allow me to give you some background ...
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Melinda brought me a little book of letras from Spain. In it I came across an abbreviated version of the first letra written below. When I researched it online, I found some additional letras in a version by Juan Cantero.
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Learning to play castanets can be frustrating, especially in the beginning.
But that doesn’t mean you shouldn’t do it.
In the coming days I’ll be sharing some tips on how to deal with some potential frustrations that come with learning this (completely and totally worth it to learn) technique.
For today, let's look at the toque for thefourth copla por sevillanas.
As usual, you'll find it written in two different ways. Use whichever makes the most sense to you. And remember, there are different variations of the toques, and this is one of many!
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Me and the bata de cola.
You could say that there’s really no excuse for me not being able to dance well with the bata.
Because I’ve had several experiences, various opportunities to learn.
I'll tell you about a one of my favorites today, and after the story, I'll tell you why you should study the bata even if you don't ever want to dance with it, and I'll share with you another bata need-to-know.
A [very] brief history of my bata experiences
You know about the first,
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A fandangos letra and a video of Paco Toronjo...
Parece mentira
que un sueño quite otro sueño,
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People are often asking me about my how I got started dancing flamenco, so I’m going to tell you a story from that time today. At the end of the story you’ll find a tip on dancing with the bata de cola, it's an essential, and you can work on it anywhere, in the bathroom, in the bedroom ...
But first, Spain
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This will make your day.
TRUST me.
It's a video of David Lagos live por alegrías accompanied by his brother, Alfredo Lagos.
You should know, if you don't already, that David is nice.
You should also know, if you don't already, that he writes beautiful letras.
And you might as well know that one of my favorite things ever is listening to David Lagos sing por alegrías and that when I hear him sing alegrías live I cry every time ...
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A letra por bulerías
Yo quisiera ser Sanson
para quererte
y que tú fuera Dalila
para aborrecerte
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Below find a snippet of Lole y Manuel's Dime along with a video.
Dime ...
Si has cortao alguna flor
sin que temblaran tus manos, dime ...
Tell me ...
If you have ever picked a flower
without your hands trembling, tell me ...
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Evelyn likes being in the back of the room. In the back where she thinks she can hide.
In the back where it feels safe.
Evelyn is a student and a reader here. I wish you could meet her.
She sent us an email, Evelyn did. She wrote it in response to this.
I wanted to share it with you immediately upon reading it.
She talked about wanting to hide in the back of the class. Even wanting to leave. About feeling stupid. And about feeling afraid.
I knew these thoughts she spoke of
As a fellow fearful stay-in-the-back-of-the-classer, I knew these thoughts.
I figured you might know them too, so I asked her if I could share her words with you. And she said yes.
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From Potito: El Último Cantaor,
A verse from Bulerías ClavásQue guapa eres
la torre del oro te la compro
prima si quieres
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Yesterday in Part 1, I told you what I do when class feels to hard, how I make it more do-able, more enjoyable.
My lazy pants
When class feels too easy it usually means I could be doing a lot more to challenge myself. In other words, I need not leave it up to the teacher or the moves.
And as I mentioned yesterday, what we get out of class is really up to us, and we can benefit from any class.
Sometimes we get anxious ...
Why is it moving so slowly? Come on, already!
And we wonder if we’ll ever progress at this rate.
To be perfectly honest, my freak outs generally come from feeling that class is too hard, which you likely know by now.
But when I start noticing myself spacing out, bored, or antsy in class, here are some things I do:
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You've likely read all of the written interviews here with Mercedes Ruíz. You've probably seen the interview with her husband, Santiago Lara.
And now, here's that video interview with Mercedes Ruíz that I've been promising you
We filmed it in Jerez last spring just after the FlamencoTour.
In the video below Mercedes talks about the road to becoming a soloist, how she navigates motherhood and flamenco dance, her thoughts on teaching those of us who are not pros, and some other stuff.
Oh, and by the way, you'll probably love her even more after seeing this video, so get ready...
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Sometimes class feels too easy. And other times it feels too hard.
I've been in both situations.
And here's what I've discovered
When class feels too easy, it's usually because I've got my lazy pants on. No seas floja, Laura.
When class feels too difficult, it's usually because hard-on-myself me has taken over. Tranquila, Chiquilla.
We can get a lot or a little out of class
And it's really up to us.
I mean it.
There is basically one main concept to understand to help us get the most of any class.
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Here is Diego el Cigala's version of this letra por alegrías:
Me olvidaste y te olvidé
Me quisiste y yo te quiero
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Bulerías.
It is the thing that everyone dances, even the guitarists and the singers.
It is the thing that, besides Mercedes, keeps calling me back to Jerez.
It is where we really let our personalities show.
It is SO MUCH FUN.
But there are certain must-knows for doing this dance.
Perhaps the first is that we all need to do it. I'm not joking about that.
You can’t do flamenco and NOT do bulerías, even though I used to think you could.
It is not easy.
We know that.
So let's look at five essentials, five things we need to know in order to dance bulerías:
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Hear Camarón sing the following bulerías letra at 1 minute and 25 seconds in the video below: