Here is an observation activity to help you understand bulerías more deeply along with a letra and a video from the Peña la Bulería caseta during the Feria de Jerez.
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When Jesús Carmona was here he recommended that every student of flamenco improvise a little bit each day. In honor of that, here's a guided exercise in improvisation along with a video and examples of how a letra can vary.
First, the letra:
In the video example the singer interprets the same bulerías letra in two different ways, which makes it great to practice to.
Version One (5 minutes in)
Dime niña hermosa
quién te peina el pelo
RESPIRO (one compás break, 12 beats)
lo peina un estudiante
te lo riza un artillerooooo... de la artillería
que con gracia y salero
con gracia y salero
Read on for my seven biggest takeaways from this month's workshops with flamenco maestro Jesús Carmona followed by a challenge for you.
Jesús is all about working hard, breaking things down, and holding high expectations all while having fun. A true master teacher. He sees everybody and expects maximum effort from all. He worked us HARD during the workshops in Portland. It was truly satisfying to see and feel the progress that we made in just four days. How can something be semi-torturous yet completely wonderful at the same time?
Here are seven pieces of advice from Jesús that will help you become a better flamenco dancer.
We were named #3 in the Top Flamenco Blogs And Websites Every Flamenco Dancer Must Follow, Best Flamenco Blogs on the Planet by Feedspot Blog Reader.
That feels exciting!
I started this blog seven years ago at the suggestion of a student just before I left for Spain on the trip that inspired the Flamenco Tour to Jerez. I'm SO grateful that I did as it reconnected me to my love of writing, offered me a new means of expression, and most importantly, turned into a way to help and connect with others along their flamenco journeys. What started as a personal account of my flamenco learning has evolved into educational and informative articles, interviews with artists, translations of flamenco songs, and stories of my travels and flamenco studies.
In celebration of this, today I'd like to share with you some of my favorite posts from the past seven years.
Does the thought of taking a flamenco workshop with a master artist from Spain fill you with excitement or fear?
If you're anything like me you feel a little bit of both.
Here are some steps you can take before, during, and after a workshop to help manage any overwhelm that comes up:
Before the workshop
1. Decide what you want to get out of it
Set a workshop goal.
Do you want to master the choreography? Improve upon a specific technique? Get inspired? Become a better learner? Implement the teacher's personal styling? Simply have a fun experience?