Who feels like having some fun?
Take the following flamenco trivia quiz to do just that and perhaps learn something in the process.
It touches on flamenco theory, history, and interesting tidbits about various artists.
Want to know how to get good action dance shots all on your own?
In this online world we find ourselves in pictures are in high demand.
But how do you get a candid shot of yourself when there’s nobody there to take it for you?
Are you ready to hear one of the most beautiful versions of Little Drummer Boy you’ve ever heard?
Yes, of course I’m talking about a flamenco version.
Can you think of one letra you’ve heard sung across different palos?
We know that can happen a lot in flamenco.
Today you’ll hear examples of the same letra both por bulerías and por soleá.
A couple of years ago on a rainy June day in Madrid, Marco Flores and I sat down at a café in his neighborhood of Lavapiés in Madrid for an interview.
You won’t find the usual information about how he got started in flamenco, etc. in the video below…
Soleá
Traditional
Permítalo Dios que si vienes
con intención de dejarme
en la mitad del camino
se abra la tierra y te trague.
Bulerías de Cádiz
Yo quiero hacer testamento
porque me voy a morir
La mitad es para mi madre
y la otra mitad es para ti
How good are you at giving jaleos?
Whether you dance, sing play guitar, or play cajón, you must also give jaleos. In fact, even if you prefer only to watch flamenco, you’ll want to give some jaleos. It’s almost disrespectful not to.
Below find three activities to help you strengthen your ability to give these calls of encouragement along with ten straight minutes of bulerías to practice to.
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Tangos or bulerías?
Qué cositas que no pueden ser
De la noche a la mañana
tú cambiaste de parecer
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This is the letra we are dancing to this month in Beginning Baile
En Málaga, los serenos
van diciendo por las calles
que duerma el que tenga sueño
que yo no despierto a nadie.
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You are going to LOVE the following video of Farruquito, El Yiyo, and friends in fin de fiesta at Café Berlin.
But first, here’s one of the letras you’ll hear:
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Flamenco dancer Cristina Hall talks about her life as an artist starting from her first class in her hometown of San Francisco all the way to Sevilla, Spain where she has resided for nearly twenty years. She touches on everything from practice to performance to the creative process to self expression to artistic choices to discipline, a must-listen for any flamenco dancer, student or professional.
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