Baladilla de los tres puñales
Rafael de León
He comprado tres puñales
para que me des la muerte...
El primero, indiferencia,
sonrisa que va y que viene
y que se adentra en la carne
como una rosa de nieve.
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Rafael de León
You've heard many examples of different artists singing cuplés in the previous four posts. Now it's time to see how one dances to a cuplé, and I've got one of the best possible examples for you, Carmen Herrera. Following the video I'll talk about how to dance bulerías to a cuplé then share one of the songs you'll hear and its translation.
Let's begin by watching Carmen as she dances to the singing of father and sons Alfonso Carpio "Mijita," Alfonso Carpio "Mijita Hijo," and José Carpio "Mijita." They are at a juerga at Peña de la Bulería in Jerez. The video is queued to begin where Carmen starts dancing at 4 minutes 30 seconds (though I'm pretty sure you'll want to go back and watch the whole thing at some point.) Today's song begins about five minutes in. The guys share in the singing, and it's kind of impossible not to get excited watching the interplay between them.
While you watch, notice how Carmen's dancing changes as the song progresses. Notice how she reacts to her three singers and where she puts her remates. Notice when she brings the energy up ...
Today's letra(s) comes from Cuatro Soneto de Amor by Rafael de León. This is the second part, which you can see Mayte Martín sing live (Ten Cuidao) in the video below.
Me avisaron a tiempo: ten cuidado,
mira que miente más que parpadea,
que no le va a tu modo su ralea,
que es de lo peorcito del mercado.