Here is a bulerías letra for you and a video of Juanilloro recording in Jerez.
Why dance flamenco?
Flamenco offers all kinds of benefits: physical, emotional, intellectual, cognitive ... It is perfect for those who never considered themselves to be dancers and for those who have done other forms of dance. And the best part? You can start learning when you're seven or when you're seventy, (no joke)!
Here are twenty five reasons to do it,
An interview with flamenco dancer Mercedes Ruíz where she talks about her beginnings, challenges she faced on the road to becoming a professional flamenco dancer, how she comes from a non-flamenco family (and how most of her family members don't even like flamenco), how motherhood has affected her dancing, what it's like working with her husband, what she loves about teaching, who some of her favorite dancers are, how she thinks it's never too late to start dancing flamenco, and the funny ritual that she must perform before going on stage.
Today we flashback to 1996 with a video of Miguel Poveda singing tientos. (He's even younger than he was in this one!)
But first, here's one of the letras he sings:
Quien tiene pena no duerme
y yo siempre estoy durmiendo
con esto quiero decirte
flamenca que ya no te quiero
Qué mandilón, mandilón
Que de cabeza a cabeza
Me meto yo en el pilón
A facebook follower from Cádiz told me that this basically means:
Here's a tangos estribillo that we danced to with Mercedes Ruíz during the last Flamenco Tour to Jerez. You can see a tiny snippet from that dance below along with a video of Claudia La Debla.
Y voy y voy
date la vuelta ligero
como se la da el rejoj
y voy y voy
que despacito pasaban
la manillas del rejoj
Ahora sí que estoy a gusto
estoy comiendo y bebiendo
con personas de mi gusto
Often after the Flamenco Tour I travel here and there. To explore, to scout things out for future tours, to visit friends, to see more flamenco... A couple of years ago after the trip ended I headed to Prado del Rey in the Sierra de Cádiz for a few days.
I did not rent a car and instead chose a home base with plenty of trails and places to explore on foot nearby. I spent a lot of time getting lost then finding myself in unintended places. While I look forward to hiking and discovering more of the sierra in the future, I'm very happy with my decision to travel sin coche this time around.
Some people considered the overall experience I had there (and my persistence in certain situations which you'll read about below) to be quite flamenca which makes me want to share this account of my adventures there with you:
Usually about a week into the Flamenco Tour I start hearing bulerías in my head at random times. It lingers for awhile upon returning home which I guess is why I've been on such a bulerías kick ...
¿A quién le contaré yo?
yo le canto a mi niño*
que tengo la obligación
I heard today's letra a few weeks ago in Jerez during the Flamenco Tour (at the same show where I heard last week's letra). Juan Peña sang it por bulerías. Upon researching the verse, I discovered the following version por tangos sung by Flora who you'll see in the video below.
Si tuvieras tú vergüenza
como la tiene la gente
no pasaría por mi puerta
ni por la acera de enfrente
This past Flamenco Tour was the smallest on record with only three of us! We still had an amazing time. Below read highlights from week two of the Flamenco Tour to Jerez. (You can see highlights from week one here, and you can read day-by-day accounts here and here.)
Getting To Know One Another
One of my favorite aspects of the Flamenco Tour is how the group tends to turn into our own little flamenco family. People take care of each other; they even try to take care of me although I’m supposed to be taking care of them. It's so comforting to feel the support of the people you're with …